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- Weekly Workshops
Beg/Int Level
- Jazz – Listening and Analysis | Online
- Intro to Jazz Improvisation 1 – Online
- Improvisation & the ART of the JAM Session – Online!
- Let’s Sing with Jocelyn Medina – Online
- Let’s Sing with Olivia Foschi – Online
- From New Orleans to Swing, the Early Jazz Workshop – Online
- Blues and Beyond – Online
- Jazz History and Appreciation
Intermediate Level
- GUITAR | Soloing and Comping Concepts for Guitar
- PIANO workout
- DRUMS workout
- BASS workout | Building melodic Bass lines
- Jazz Improvisation and Theory 2 – Online!
- New York Jazz Workshop BIG BAND
- BEBOP Workshop – Online
- Brazilian Ensemble – Online
- Jazz Standards Workshop – Online
- Funk Fusion Workshop – Online
- The Poetic Language of Jazz Improvisation – Online
- Courses
- Summer Series
Summer Series - 4 Day Intensive
- New York Jazz Workshop ONLINE 2020 Summer Intensives – General Information
- Jazz Improvisation Intensive Workshop – Marc Mommaas, Darrell Green, Tony Moreno, and Frank Kimbrough
- Guitar Intensive Workshop – Dave Stryker and Kenny Wessel
- Brazilian Music Intensive Workshop – Vitor Gonçalves
- Vocal Intensive Workshop Beginner/Intermediate – Olivia Foschi and Jocelyn Medina
- Vocal Intensive Workshop Intermediate/Advanced – Michelle Walker, Olivia Foschi, and Jocelyn Medina
- Bebop to Hardbop Summer Jazz Intensive Workshop – Mark Sherman and daily guest
- Jazz Improvisation Intensive Workshop – Darius Jones & Vito Lesczak
- Ask for our Teen Summer Jazz Camp which is a separate program
1 , 2 and 3 days Summer Intensives
- New York Jazz Workshop ONLINE 2020 Summer Intensives – General Information
- Masterclass – NEA Jazz Master recipient DAVID LIEBMAN (1 day)
- Country – Jazz – Blues Guitar Intensive (3-day)
- Piano/Keyboard Intensive – Frank Kimbrough, Amina Figarova & Jacob Sacks (3-Day)
- Jazz Composition Intensive for Beginners – Marc Mommaas (2-day)
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- Dec 20, ii V sequence.
Dec 20, ii V sequence.
We warmed up with two and three whole note interval eartraining, equivelant to major 3rds and sharp 4ths. From there we moved on to a ii V sequence through all keys, sightsinging, chordtones only. We explored different options how to create more freedom over these changes and we related it to Lennie Tristano and his school of thought. We also briefly discussed the diminished scale and its four contexts. Plus we worked on All the things you are and Blues for Alice. Great class
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